bio _ about my work _ concerts _ works/pieces _ cd/cdr/dvd _ writings _ projects
_ contact
My
sound work includes both instrumental music, electroacoustic music,
acousmatic music and sound installations. Far from addressing these
creative facets as independent elements I try to trace a continuum
based on the creation of networks between these disciplines. What
unifies my creative work is the permanent research in what I call
"Spectro-morphological composition by differentiated layers in a
holophonic creation framework" At the same time, I draw graphic
notation systems derived from conventional notation, I use and create
systems interactive musicals and I have developed the concept of "sound
score".
My
work and creative research is intensely focused on the creation and
study of electroacoustic, multimedia and audiovisual musical
relationships, as I consider that they are part of and undoubtedly make
up the DIGITAL OCEAN in which we live today. A sub-aspect of this line
of work, and which occupies a large part of my work, is the development
of interactive musical works that explore different types and levels of
musical interactivity with the aim of exploring other relationships
between work-music- public
As
a pianist he has worked with Vladimir Karpov (Russia/Spain), Ángel
Soler (Spain) and Jean-Pierre Dupuy (Spain/France). He has received
advice from Gian Franco Ricci and Andras Kemen.
My
piano work spans different genres and aesthetics making wide use of the
instrument with a repertoire ranging from free improvised music, with
my solo project "From the ruins" for piano and electronic music, to the
minimalist and neoclassical music, passing through contemporary music
with electronics and video,
As
an electroacoustic organist I develop a concert program based on the
relationships between this "analog" synthesizer that is the pipe organ
and electronic music. DISCONTINUM ENEREGIC is the framework that allows
the development of a listening and concert proposal based on the
interactions between these devices.